Paul Groves – tenor
American tenor Paul Groves enjoys an impressive international career performing on the stages of all the world’s leading opera houses and concert halls.
Paul Groves makes an important role debut in the 2014-15 season when he performs the title role in Wagner’s Lohengrin. In a new production with the Norwegian National Opera in Oslo. He later returns to the Festival International d’Art Lyrique d’Aix-en-Provence to revive his portrayal in staged performances of Stravinsky’s Perséphone. As well as to the Vienna Staatsoper where he appears as Florestan in Beethoven’s Fidelio. Mr. Groves appears throughout the season in concert, including appearances with Boston Symphony Orchestra. Cleveland Orchestra, Saint Louis Symphony, Los Angeles Philharmonic, and Zurich’s Tonhalle Orchestra.
Highlights of recent seasons for the tenor include his first performances in the title role of Wagner’s Parsifal with Lyric Opera Chicago, led by Sir Andrew Davis. Appearances as Admète in Gluck’s Alceste with Madrid’s Teatro Real. Nicias in Massenet’s Thais with the Los Angeles Opera. Pylade in Iphigénie en Aulide with Theater an der Wien. Don Ottavio in Don Giovanni with the Madrid’s Teatro Real and the Festival Aix-en-Provence
Paul Groves came to national attention as a winner of the Met’s National Council Auditions in 1991. A graduate of the Metropolitan Opera’s Young Artists Development Program. Mr. Groves made his Metropolitan Opera debut in 1992 as the Steuermann in Der fliegende Holländer. Mr. Groves returned to the MET for performances as Camille de Rosillon in their new production of The Merry Widow, opposite Plácido Domingo and Frederica von Stade. Ferrando in a new production of Cosi fan tutte. Tom Rakewell in The Rake’s Progress. Lysander in Britten’s A Midsummer Night’s Dream.
Die Entführung aus dem Serail
Belmonte in Die Entführung aus dem Serail. Fenton; and Don Ottavio in nationally-televised season-opening performances of Don Giovanni opposite Bryn Terfel and Renee Fleming. In 2006, he created the role of Jianli in the world premiere of Tan Dun’s The First Emperor. Opposite Plácido Domingo. He returned to the MET in 2008 for further performances of this role. Paul Groves made his debut with San Francisco Opera as Fenton. He returned in subsequent seasons for performances as Ferrando, Belmonte and Pylade.
Lyric Opera of Chicago
His debut with Lyric Opera of Chicago was in 1998 as Nadir. In a new production of Les pêcheurs de perles. Audiences in Chicago saw him in later seasons as Tamino, Pylade and the title role in La Damnation de Faust. Los Angles Opera audiences first saw him in season-opening performances of the title role in La damnation de Faust. He recently returned for performances as Fritz in a new production of La Grande Duchesse de Gerolstein. Directed by famed Hollywood director Garry Marshall.
His company debut with The Washington Opera was in 2006 as Nemorino. He recently appeared in his home state of Louisiana for his first performances of the title roles in Gounod’s Faust, Les contes d’Hoffmann, and Verdi’s Un ballo in Maschera. Mr. Groves has appeared often with Santa Fe Opera, including performances of Offenbach’s Hoffmann and his first performances as Florestan.
Debut at La Scala
He made his debut at La Scala in 1995 as Tamino in the opening night performance of Die Zauberflöte. Riccardo Muti conducting, and he has returned in several roles. Including Renaud in Gluck’s Armide and Nemorino in L’elisir d’amore. The first American tenor invited to La Scala for this role. Audiences in Paris have seen the tenor often since his debut in 1996 season when he appeared as Tom Rakewell at the Théâtre Musical de Paris. Châtelet in a new Sellers/Salonen production of The Rake’s Progress. He has returned to the Châtelet as Admète in their season-opening production of Alceste, led by Sir John Eliot Gardiner. And in the title role in Berlioz’s Béatrice et Bénédict.
Mr. Groves made his debut with the Opéra National de Paris as Fenton, in a new production of Falstaff. He soon returned for performances as Tamino, Berlioz’s Faust, Nemorino. Julian in a new production of Charpentier’s Louise and his role debut as Mozart’s Idomeneo. The role of Tamino was also the vehicle for his debut at London’s Royal Opera, Covent Garden.
He has since returned to perform the role of Pylade in Iphigénie en Tauride opposite Simon Keenlyside and Susan Graham. He has performed often with the Vienna Staatsoper in roles including Camille in a new production of Die lustige Witwe. Carlo in a new production of Linda di Chamounix. Tamino, Nemorino, Don Ottavio, Flamand, Capriccio, Count Almaviva, Il barbiere di Siviglia, and the Italian Singer in Der Rosenkavalier. In 2009 the tenor sang his first performances as Massenet’s Werther with Opera National du Rhin. The same season he made his debut in the title role of Stravinsky’s Oedipus Rex in Japan under the baton of Charles Dutoit. Mr. Groves’ work in Europe also includes his debut as Albert Gregor in Janacek’s The Makropulos Case with Frankfurt Oper.
Mr. Groves has appeared frequently with the Salzburg Festival since his debut there in 1995 as Don Ottavio under the baton of Daniel Barenboim. Including his portrayal of the title role in a critically-acclaimed new production of La damnation de Faust. As well as performances as Pylade, Belmonte, and Tamino in the 2006 Mozart anniversary season. In performances led by Riccardo Muti. Mr. Groves made his debut with the Deutsche Oper Berlin in 1998 as Des Grieux. In a new production of Manon and with the Netherlands Opera in 2001 as Bénédict. His debut with the Bayerische Staatsoper was in 1997 as Don Ottavio. He has returned to Munich for performances as Tamino and as Arturo in a new production of I Puritani, opposite Edita Gruberova.
A gifted musician, Paul Groves is continually in demand for concerts with the world’s leading orchestras and conductors. In 2003 Mr. Groves made his debut with the New York Philharmonic as soloist in Berlioz’s Requiem in performances conducted by Charles Dutoit. He returned for performances of the title roles in La Damnation de Faust, and Candide, opposite Kristin Chenowith. His debut with the Boston Symphony Orchestra came also in 2003 in the world premiere of John Harbison’s Requiem conducted by Bernard Haitink. In performances in Boston and at New York’s Carnegie Hall. He has returned frequently, including performances in Schönberg’s Gurrelieder . Tippet’s A Child of Our Time as well as La Damnation de Faust, all led by James Levine.
Mr. Groves performed Stravinsky’s Rossignol and Berlioz’s Te Deum with the San Francisco Symphony Orchestra conducted by Michael Tilson Thomas. Mahler’s Das Lied von der Erde with the Philadelphia Orchestra led by Christoph Eschenbach. The tenor made his debut with the Cleveland Orchestra in performances as Berlioz’s Faust, led by Christoph von Dohnanyi. He has since appeared with them in performances of Beethoven’s Ninth Symphony. Also under the direction of von Dohnanyi at Cleveland’s Severence Hall and at New York’s Carnegie Hall.
Other recent performances at Carnegie Hall include Berlioz’s L’enfance du Christ with the Orchestra of St. Luke’s and Sir Charles Mackerras. The tenor made his debut with the Los Angeles Philharmonic in a program of works of Mozart and Britten led by Esa-Pekka Salonen. He soon returned for performances of Haydn’s Die Schöpfung and Stravinsky’s Les Noces. The works of Benjamin Britten figure prominently in Paul Groves’ concert work and include performances of Britten’s Serenade for Tenor, Horn, and Strings with the Atlanta Symphony. At the Caramoor Festival led by Donald Runnicles, and the composer’s War Requiem in performances with Accademia di Santa Cecilia in Rome. St Louis Symphony and at the Festival de St. Denis in Paris, led by Kurt Masur. In 2010 added Tippet’s Child of our Time to his repertoire, a work which he performed with his native St Louis Symphony Orchestra.
Paul Groves made his debut with the Munich Philharmonic in performances of Haydn’s Die Schöpfung under the direction of James Levine. He made his debut with the Bayerische Rundfunk in performances of Rossini’s Stabat Mater led by Riccardo Muti. He recently returned to Munich for performances of Britten’s St. Nicholas Cantata. He has sung Berlioz’s Te Deum with the Berlin Philharmonic Orchestra led by Seiji Ozawa. As well as the BBC Symphony led by Sir Colin Davis. He appeared with the BBC Symphony again for Szymanowski’s Symphony No. 3 led by Sir Andrew Davis. 2003 he appeared with Maestro Davis in a performance of Stravinsky’s Perséphoneat the BBC Proms. The tenor’s debut at the Proms was in Haydn’s Die Schöpfung in performances led by Sir Charles Mackerras. He was first seen with the London Philharmonic as Berlioz’s Faust.
The Dream of Gerontius
In 2005 Mr. Groves sang his first performances of The Dream of Gerontius, led by Mark Elder, at London’s Royal Albert Hall. Mr. Groves made his debut with the Orchestre de Paris in performances of Mahler’s Das Klagende Lied. He was first seen with L’orchestre National de la Radio France in performances of Beethoven’s Christ on the Mount of Olives. At the Montpellier Festival. He appeared as soloist in Berlioz’s Requiem with the Orchestre National du Capitôle de Toulouse under the direction of Michel Plasson. He returned for performances of the title role in La Damnation de Faust.
Rotterdam Philharmonic Orchestra
He was also invited to perform the role with the Rotterdam Philharmonic Orchestra, led by Valery Gergiev. Mr. Groves’ debut at the Festival de Saint Denis was in performances of Haydn’s Creation. He appeared in concerts of Mozart’s Requiem at La Scala in a memorial performance for Giuseppe Sinopoli led by Riccardo Muti. He appeared with the Czech Philharmonic in performances of Beethoven’s Missa Solemnis led by Sir Charles Mackerras. Recently performed Mahler’s Das Lied von der Erde with the Orchestre de la Suisse Romande.
Paul Groves has appeared frequently in recital throughout the United States and Europe. In 1996 the tenor gave his New York recital debut at Alice Tully Hall with James Levine accompanying him at the piano. He has returned twice to Lincoln Center’s prestigious “Art of the Vocal Recital” series accompanied by Malcolm Martineau. He has also appeared in recital at Teatro alla Scala, Amsterdam’s renowned Concertgebouw, Brussels’ Théatre de la Monnaie and London’s prestigious Wigmore Hall.
In addition to his several recordings with Maestro Levine, Paul Groves’ performances in the Salzburg Festival’s productions of Die Zauberflöte and La damnation de Faust. Recorded for release on DVD by Deutsche Grammophon and Naxos Records, respectively. He recently recorded Roger Water’s new opera Ça Ira opposite Bryn Terfel for SONY Classics as well as Ravel cantatas with Michel Plasson for EMI Classics. He can be heard as Tebaldo in Teldec Classic’s recording of I Capuleti e i Montecchi, led by Donald Runnicles.
He also recorded the role of Belmonte in a video and audio recording of Die Entführung aus dem Serail. Filmed in Istanbul and led by Sir Charles Mackerras, for the Telarc label. Mr. Groves’ performances as Admète in Alceste at London’s Barbican Centre were recorded for CD and DVD on the Philips Classics label. In 2002 Paul Groves made his debut at the Saito Kinen Festival in performances of Beethoven’s Ninth Symphony under the baton of Seiji Ozawa, recorded on DVD for Philips Classics. In 2003 Mr. Groves completed a solo recording of songs by Henri Duparc for Naxos Records. In 2004 Mr. Groves was invited to perform at the prestigious Kennedy Center Honors in front of a live national television audience.
|Don Giovanni||Don Ottavio||Metropolitan Opera MetPlayer||2009|
|The Flying Dutchman||1: mate||Metropolitan Opera MetPlayer||2009|
|Ifigenia på Taurus||Pylades||Metropolitan Operabio|
|Lohengrin||Lohengrin||DNO Opera & Balett i Oslo||8.3.2015|