Poppeas kröning 1642 synopsis

Poppeas kröning 1642 synopsis Poppeas coronation at Danish Royal Opera Copenhagen - synopsis
82 / 100

Poppeas kröning är Monteverdis sista opera. Även den troddes i många år ha gått förlorad men man har nu kännedom om två ganska olika manuskript, ett i Venedig och ett i Neapel. Musiken i denna opera är betydligt mer varierad än i den föregående med rikligt bruk och duetter och pekar fram mot de stora barockoperorna. Operan hade urpremiär i Venedig hösten 1642.

Poppeas kröning 1642 synopsis

Tid och plats: Rom under kejsar Neros tid 62 e.Kr.
I prologen strider strider dygdens, lyckans och kärlekens gudinnor om vem som har den största makten över människan.
Akt 1
Då Ottone vänder hem får han veta att hans älskade Poppea har blivit älskarinna åt kejsar Nero och att kejsaren ämnar förskjuta kejsarinnan Ottavia. Poppeas amma Arnalta försöker varna henne för Ottavias svartsjuka men Poppea är förvissad om att hon kommer att segra i detta spel.

Neros lärare Seneca försöker övertala kejsaren att avstå från Poppea, men hon intalar Nero att Seneca är i maskopi med Ottavia. Seneca får order att ta sitt liv.
Akt 11
Seneca tar avsked av sina lärjungar och Nero triumferar, men Ottavia har övertalat Ottone att mörda Poppea fastän att han fortfarande älskar henne.Han lånar tjänsteflickan Drusillas mantel för att slippa obemärkt in till den sovande Poppea, men kärleksgudinnan väcker henne i tid så attentatet misslyckas.
Akt 111
Drusilla arresteras därför att hennes mantel har påträffats, och av kärlek till Ottone tar hon på sig skulden. Han erkänner emellertid för att rädda henne, och Nero landsförvisar dem båda.Samtidigt har han fått bevis för att Ottavia har konspirerat mot honom, så han kan förskjuta henne och äkta Poppea.
IN ENGLISH
The action takes place in Imperial Rome around AD 60, in and around Poppea’s villa and in various locations within the imperial palace.
Prologue
The goddesses of Fortune and Virtue dispute which of them has the most power over humankind. They are interrupted by the god of Love, who claims greater power than either: “I tell the virtues what to do, I govern the fortunes of men.”[ When they have heard his story, he says, they will admit his superior powers.
Act 1
The upper body, unclothed, of a young woman carrying a thin transparent cloth. She has tight curled hair swept from her face, and is facing towards the left although her eyes look directly from the painting. A plaque in front of her carries the words "Sabina Poppea".

Poppea, represented in a 16th-century painting

Ottone arrives at Poppea’s villa, intent on pursuing his love. Seeing the house guarded by the Emperor Nerone’s soldiers he realises he has been supplanted, and his love song turns to a lament: “Ah, ah, perfidious Poppea!” He leaves, and the waiting soldiers gossip about their master’s amorous affairs, his neglect of matters of state and his treatment of the Empress Ottavia.

Nerone and Poppea enter and exchange words of love before Nerone departs. Poppea is warned by her nurse, Arnalta, to be careful of the empress’s wrath and to distrust Nerone’s apparent love for her, but Poppea is confident: “I fear no setback at all.”

The scene switches to the palace, where Ottavia bemoans her lot; “Despised queen, wretched consort of the emperor!” Her nurse suggests she take a lover of her own, advice which Ottavia angrily rejects. Seneca, Nerone’s former tutor, addresses the empress with flattering words, and is mocked by Ottavia’s page, Valleto, who threatens to set fire to the old man’s beard. Left alone, Seneca receives a warning from the goddess Pallade that his life is in danger.

Nerone enters and confides that he intends to displace Ottavia and marry Poppea. Seneca demurs; such a move would be divisive and unpopular. “I care nothing for the senate and the people,” replies Nerone, and when the sage persists he is furiously dismissed. Poppea joins Nerone, and tells him that Seneca claims to be the power behind the imperial throne. This so angers Nerone that he instructs his guards to order Seneca to commit suicide.

After Nerone leaves, Ottone steps forward and after failing to persuade Poppea to reinstate him in her affections, privately resolves to kill her. He is then comforted by a noblewoman, Drusilla; realising that he can never regain Poppea he offers to marry Drusilla, who joyfully accepts him. But Ottone admits to himself: “Drusilla is on my lips, Poppea is in my heart.”
Act 2
An elderly man, unclothed except for a loose cloth placed on his body, is supported in the arms of an associate, while others crowd around looking anxiously on.

The Death of Seneca (Luca Giordano, 1684)

In his garden, Seneca learns from the god Mercurio that he is soon to die. The order duly arrives from Nerone, and Seneca instructs his friends to prepare a suicide bath. His followers try to persuade him to remain alive, but he rejects their pleading. “The warm current of my guiltless blood shall carpet with royal purple my road to death.” At the palace Ottavia’s page flirts with a lady-in-waiting, while Nerone and the poet Lucano celebrate the death of Seneca in a drunken, cavorting song contest, and compose love songs in honour of Poppea.

Elsewhere in the palace, Ottone, in a long soliloquy, ponders how he could have thought to kill Poppea with whom he remains hopelessly in love. He is interrupted by a summons from Ottavia, who to his dismay orders him to kill Poppea. Threatening to denounce him to Nerone unless he complies, she suggests that he disguise himself as a woman to commit the deed. Ottone agrees to do as she bids, privately calling on the gods to relieve him of his life. He then persuades Drusilla to lend him her clothes.

In the garden of Poppea’s villa, Arnalta sings her mistress to sleep while the god of Love looks on. Ottone, now disguised as Drusilla, enters the garden and raises his sword to kill Poppea. Before he can do so, Love strikes the sword from his hand, and he runs away. His fleeing figure is seen by Arnalta and the now awakened Poppea, who believe that he is Drusilla. They call on their servants to give chase, while Love sings triumphantly “I protected her!”
Act 3
Drusilla muses on the life of happiness before her, when Arnalta arrives with a  Arnalta accuses Drusilla of being Poppea’s assailant, and she is arrested. As Nerone enters, Arnalta denounces Drusilla, who protests her innocence. Threatened with torture unless she names her accomplices, Drusilla decides to protect Ottone by confessing her own guilt. Nerone commands her to suffer a painful death, at which point Ottone rushes in and reveals the truth: that he had acted alone, at the command of the Empress Ottavia, and that Drusilla was innocent of complicity.

Nerone is impressed by Drusilla’s fortitude, and in an act of clemency spares Ottone’s life, ordering him banished. Drusilla chooses exile with him. Nerone now feels entitled to act against Ottavia and she is exiled, too. This leaves the way open for him to marry Poppea, who is overjoyed: “No delay, no obstacle can come between us now.”
Ottavia bids a quiet farewell to Rome, while in the throne room of the palace the coronation ceremony for Poppea is prepared. The Consuls and Tribunes enter, and after a brief eulogy place the crown on Poppea’s head. Watching over the proceedings is the god of Love with his mother, Venere, and a divine chorus. Nerone and Poppea sing a rapturous love duet (“I gaze at you, I possess you” as the opera ends.
UPPHOVSPERSONER
Musik: Claudio Monteverdi|Text: Giovanni Francesco Busenello
PREMIÄR
Uruppförande på Teatro de SS Giovanni e Paolo i Venedig år 1642 eller 1643.

ROLL OCH RÖSTYP

Roll Rösttyp
Fortuna sopran
Dygden sopran
Amor sopran
Poppea,romersk kurtisan sopran
Nero,kejsare sopran
Octavia,kejsarinna alt
Ottone,Poppeas tidigare älskare alt
Seneca,filosof bas
Drusilla.Octavius amma alt
Arnalta,Poppeas amma sopran
Luciano,hovpoet tenor
Minerva sopran
Merkurius bas
Venus sopran
En liktor bas
Liberto,frigiven slav tenor
En page sopran
En hovfröken sopran
Två soldater tenor

Libretto

Mer att läsa