Roger Norrington impressive conductor born 1934

Roger Norrington impressive conductor born 1934

Roger Norrington studied at Dragon School, Westminster College, Clare College, Cambridge and the Royal College of Music under Adrian Boult. He is best known for his performances of baroque classical and romantic music using period instruments.

Roger Norrington impressive conductor born 1934

Roger Arthur Carver Norrington CBE  (born 16 March 1934) is a British conductor. He is the son of Sir Arthur Norrington and his brother is Humphrey Thomas Norrington.

Life

Norrington studied at The Royal Conservatory of Music in Toronto, Dragon School, Oxford, Westminster School, Clare College, Cambridge and the Royal College of Music under Adrian Boult among others. Norrington played the violin, and worked as a tenor through the 1960s, and in 1962 founded the Schütz Choir (later the Schütz Choir of London).

Conductor in Britain and US

From 1969 to 1984, Norrington was music director of Kent Opera. In 1978, he founded the London Classical Players and remained their musical director until 1997. From 1985 to 1989, he was principal conductor of the Bournemouth Sinfonietta. He is also president of the Oxford Bach Choir. In the US, from 1990 to 1994, he was music director of the Orchestra of St. Luke’s.

With his wife, the choreographer Kay Lawrence, he formed in 1984 the Early Opera Project to complement his concert work in period-style opera, beginning with Claudio Monteverdi’s L’Orfeo at the Maggio Musicale Fiorentino that year, and touring Britain in 1986.

From Salzburg to Stuttgart

In Europe, he was principal conductor of the Camerata Salzburg from 1997 to 2006, and principal conductor of the Stuttgart Radio Symphony Orchestra from 1998 to 2011.

On 28 July 2016, he conducted the final concert of the Stuttgart Radio Symphony Orchestra in London at the Royal Albert Hall as part of The Proms, before its scheduled merger with the SWR Sinfonieorchester Baden-Baden und Freiburg.

Other activities: Boston, Bremen, Zurich

He was artistic advisor of the Boston Handel and Haydn Society from 2006 to 2009. He was principal guest conductor of the Orchestre de chambre de Paris and the Deutsche Kammerphilharmonie Bremen. He was principal conductor of the Zurich Chamber Orchestra from 2011 to 2016. He has conducted over 50 world premieres, and has appeared regularly with the Berlin Philharmonic, the Vienna Philharmonic, and major orchestras throughout the world.

Historically informed performance

Norrington is best known for historically informed performances of Baroque, Classical and Romantic music. He is a member of the historically informed performance movement. Norrington has advocated a limited or no use of vibrato in orchestral performances, which has brought him both positive and adverse criticism. He has strictly followed Beethoven’s original metronome markings in his symphonies, despite critical comment that these markings were ”miscalculated”. He has conducted recordings Haydn, Mozart, Beethoven, Schubert, Berlioz, Brahms, Tchaikovsky, Dvorak, Bruckner, and Mahler on period and modern instruments.

In particular, Norrington makes very sparse use of the vibrato, often uses very fast tempos, and varies the placement of the instruments on stage. Especially with the Stuttgart Radio Symphony Orchestra Norrington has developed a very individual sound, which is often dubbed by the trade press as Stuttgart Sound . This refers to the synthesis of historically informed music making with the means of a modern and flexible orchestra.

Symphonic cycles which Norrington interpreted in recent years with the Stuttgart Radio Symphony Orchestra have received worldwide acclaim. However, Norrington’s performance practice is not without critics among other musicians; for example, the violist of the Melos Quartet, Hermann Voss, drew two tough caricatures to Norrington’s vibrato-free string sound in 2005, adding: ”Except for the Stuttgart Feuilleton, the New Stuttgart Style finds only contempt and scorn.”

TV

In August 2008, Norrington appeared in the reality TV talent show-themed television series, Maestro on BBC Two, when he led the judging panel.He conducted the First Night of the Proms in 2006 and the Last Night of The Proms on 13 September 2008.

Private life

Norrington has been married twice. He and his second wife, Kay Lawrence, have a son, Tom.

Awards and honours

He was appointed OBE in 1980, CBE in 1990 and Knight Bachelor in 1997. He is a patron of Bampton Classical Opera and the Orchestra of St Paul’s. He is an honorary fellow of Clare College Cambridge and holds honorary degrees from the Universities of York and Kent and an honorary doctorate from the Royal College of Music.

In Swedish

Roger Norrington studerade vid Dragon School, Westminster School, Clare College, Cambridge och Royal College of Music med bland andra Adrian Boult som lärare.

Karriär

Norrington arbetade som tenor under 1960-talet, och 1962 grundade han the Schütz Choir (senare the Schütz Choir of London). Mellan åren 1969 och 1984 var han ledare för operan i Kent. 1978 grundade han London Classical Players (ledd av barockviolinisten John Holloway) och var dess ledare fram till 1997. Mellan åren 1985 och 1989 var han första dirigent för Bournemouth Sinfonietta. Mellan åren 1990 och 1994 var han ledare för Orchestra of St. Luke’s. 1998 blev han chefsdirigent för Radio-Sinfonieorchester Stuttgart. Han blev konstnärlig rådgivare för Handel and Haydn Society 2006.

Norrington är mest känd för sina framföranden av barock, klassisk och romantisk musik där han använder periodens instrument och periodens stil.

Tillsammans med sin fru, koreografen Kay Lawrence, skapade han 1984 the Early Opera Project som komplement till sina konsertframföranden. De började med Monteverdis Orfeo vid the Maggio Musicale i Florens samma år, och turnerade i Storbritannien 1986.

Han var dirigent vid Last Night of the Proms för första gången 13 september 2008.

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