He performs a wide variety of roles including Figaro in Il Barbiere di Siviglia, Malatesta in Don Pasaquale, Papageno in Die Zauberflöte, Escamillo in Carmen, Marcello in La Boheme, and Richard Nixon in Nixon In China.
Jonathan Beyer American baritone
Jonathan Beyer has performed with the Metropolitan Opera, Munich Philharmonic, Dallas Opera, Netherlands Radio Orchestra, Philadelphia Orchestra, Teatro Petruzelli, Chicago Symphony, Oper Frankfurt, Opera Philadelphia, Pittsburgh Opera, Boston Lyric Opera, Pittsburgh Symphony, Austin Lyric Opera, Opera de Montreal, Chicago Opera Theater, Fort Worth Opera, and others.
In the 2015-2016 season, engagements include Rossini’s Figaro in a return to the Pittsburgh Opera, Marcello in La Boheme with Boston Lyric Opera, covering the role of Danilo in the Merry Widow with the Lyric Opera of Chicago and Dr. Falke in Die Fledermaus with Florentine Opera.
In the 2014-2015 season he returned to Opera Philadelphia for the role of Figaro in Barbiere di Siviglia and reprised the role with Opera Theater of Saint Louis. He also returned to Dallas for Marcello in La Boheme and to Anchorage for Sharpless in Madama Butterfly. Jonathan made his Florida Grand Opera Debut as Guglielmo in Così fan tutte, and sang concerts with the Baton Rouge, Southwest Michigan and Lansing Symphonies. He also made his debut at Cincinnati Opera as Ping in Turandot and as the baritone soloist in Carmina Burana with the New Jersey Symphony.
In the 2013-2014 season he made his debut with Hawaii Opera Theater as Ping in Turandot and with Anchorage Opera as Enrico in Lucia di Lammermoor. He returned to the Fort Worth Symphony as the title role in Elijah. He also sang the title role with the Harrisburg Symphony. He made his debut with the Apollo Chorus of Chicago in Handel’s Messiah and with the Delaware Symphony for Carmina Burana.
Additional debut’s included Opera de Montreal as Ping in their production of Turandot. He gave recitals through the Logan Chamber Music Series at the Chautauqua Institution and performed on Opera Galas with Lorin Maazel as well as with the Esterhazy Orchestra.
In the 2012-2013 season he made debuts with the Munich Philharmonic and the Royal Symphony of Oman singing Schaunard in La Boheme under the baton of Lorin Maazel. He returned to Austin Lyric Opera for the Count in Le Nozze di Figaro, to the Dallas Opera for Ping in Turandot, and to Oper Frankfurt for their new production of Les Vepres Siciliennes.
He also made his recital debut with the Philadelphia Chamber Music Society. Mr. Beyer also returned to Lyrique-en-Mer to sing the roles of Escamillo in Carmen and Figaro in Il Barbiere di Siviglia
In the 2011-12 season he made his Metropolitan Opera debut as Wagner in a new production of Faust, debuted Italy in Bari as Figaro in Il Barbiere di Siviglia, the Count in Le Nozze di Figaro with the Ft. Worth Opera, Figaro in Il barbiere di Siviglia with Boston Lyric Opera, and Escamillo in Carmen with the Opera Company of Philadelphia.
In concert he debuted Carnegie Hall with Stravinky’s Canticum Sacrum with American Symphony Orchestra and the Ft. Worth Symphony performing Copland’s Old American Songs. He also sang the roles of Figaro in Il Barbiere di Siviglia and Schaunard in La Boheme at the Castleton Festival and Dandini in La Cenerentola with Lyrique-en-Mer.
In the 2010-2011 season Mr. Beyer sang the role of Schaunard in La Bohème with Hong Kong Opera and in Castleton Festival with Lorin Maazel, L’Heure Espagnole with Opera Frankfurt, Lescaut in Manon with Knoxville Opera, and Jonathan Dove’s Flight with Austin Lyric Opera.
In concert, he was heard as a soloist in Mahler’s Knaben Wunderhorn, Symphony in C and Vier Ernste Gesänge with the Philadelphia Brahms Festival, National Chorale’s Carmina Burana at Lincoln Center, Tosca with the Ravinia Festival, and performed a recital at Weill Hall with the Carnegie Hall Foundation.
Last season, Mr. Beyer sang Beethoven’s Ninth Symphony with the Philadelphia Orchestra, Haydn’s Creation with Netherlands Radio Orchestra, Candide with the Chicago Symphony Orchestra, Billy in Carousel with the Southwest Michigan Symphony and a concert with the MSFO at the Chautauqua Institution. He has also appeared with the Chicago Symphony, Pittsburgh Symphony, Indianapolis Symphony, Lorin Maazel’s Châteauville Foundation, Chatam Baroque, Baton Rouge Symphony, Vermont Symphony, the Erie Philharmonic and the Festival at Aix-en-Provence.
Mr. Beyer has performed in recital with Craig Rutenberg, Mikael Eliasen, Kristin Okerlund, Martin Katz and Brian Zeger. He has given recitals through the Vocal Arts Society, Marilyn Horne Foundation, Chicago Cultural Center, Judith Raskin Foundation, Bertlesmann Foundation, Huntsville Chamber Music Guild, Pittsburgh Concert Society, Over the Rainbow Foundation, Astral Artists, the Marian Anderson Foundation, Lyrique-en-mer, and The Philadelphia Chamber Music Society. He has degrees from the Curtis Institute of Music and the Chicago College of Performing Arts at Roosevelt University.
Mr. Beyer was a National Finalist in the Metropolitan Opera National Council Competition. He was the Grand Prize winner at the 2011 George London Foundation and was the 1st Place Winner at the Marian Anderson Prize for Emerging Classical Artists.
He has also won the McCammon Competition, Irma M. Cooper Competition, Violetta DuPont Competition, Rochester’s Classical Idol, New Jersey Verismo Competition, Philadelphia Orchestra’s Greenfield Competition, Astral Artist Auditions, Pittsburgh Concert Society Auditions, SAI Competition, American Opera Society Competition, the Union League Civic and Arts Foundation Competition, and the Bel Canto Foundation.
He has also received awards from the Sullivan Foundation, Gerda Lissner Foundation, Jensen Foundation, Solti Foundation, Loren L. Zachary, Irene Dalis, Liederkranz, Charles Lynam Competitions, Licia Albanese Puccini Foundation, Orpheus Competition, National Opera Association, Anna Sosenko Foundation, Shreveport Singer of the Year, Mario Lanza Foundation, Dresden Opera Competition, NATS, Giulio Gari Foundation, Palm Beach Opera, Jose Iturbi Foundation, Liederkranz, Neue Stimmen and Annapolis Opera Copmetitions.