Olive Fremstad (14 March 1871 – 21 April 1951) was the stage name of Anna Olivia Rundquist, a celebrated Swedish-American opera diva who sang in both the mezzo-soprano and soprano ranges.
Background
Born in Stockholm, she was adopted by an American couple living in Minnesota, taking on their surname of Fremstad. She received her early education and musical training in Christiania, Norway. When she was 12 years of age her parents moved to America, settling in Minneapolis. Even before leaving Christiania, her progress on the piano had been such that she had appeared as an infant prodigy.
She began her vocal training in New York City with Frederick Bristol in 1890 after singing in church choirs, then studied in Berlin with Lilli Lehmann before making her operatic debut as a mezzo-soprano as Azucena in Verdi’s Il trovatore at the Cologne Opera in 1895. She remained there for at least three years, before going on to Vienna, Munich, Bayreuth and London.
Career
She appeared at the Metropolitan Opera in New York City from 1903 until 1914, specializing in Wagnerian roles. By that time she was singing as a dramatic soprano. Fremstad appeared before the public 351 times as a member of the Met’s stellar roster, most frequently as Venus in Tannhäuser, Kundry in Parsifal, Sieglinde, Isolde and Elsa in Lohengrin.
American audiences never warmed much to her interpretation of the title role in Bizet’s Carmen, but she had sung the role opposite Enrico Caruso in San Francisco the night before the city was wrecked by the 1906 San Francisco earthquake and ensuing fire. (She and Caruso escaped the disaster unharmed.)
Later in her career, Fremstad experienced difficulties with the top notes of the dramatic soprano range. She retired from professional singing in 1920 and briefly attempted teaching, but her patience for anything less than perfection in her pupils proved to be slim. One ”lesson” involved the close examination of a dissected human head preserved in a jar. She was mystified when her few students fled in horror, unwilling to study the human larynx in such a setting.
She used this head as a tool for determining whether or not prospective students had the ”mettle” for an opera career. For Fremstad herself this wasn’t anything special; when studying for the role of Salome in the Metropolitan’s premier production, she had gone to the morgue in New York to find out just how much she should stagger under the weight of the head of John the Baptist.
Her output of recordings is meager. She made approximately 40 recordings between 1911 and 1915, only 15 of which were ever released. Music critic J.B. Steane has called Fremstad ”one of the greatest of Wagnerians”; but in his The Record of Singing, Volume 1, the opera historian Michael Scott describes her as always being more of a mezzo-soprano than a genuine soprano. Scott, however, acknowledges her impressive qualities as an interpretive artist.
Fremstad allegedly professed to have no interest in romantic entanglements. However, she wed twice, with both marriages ending in divorce. She and her secretary, Mary Watkins Cushing, also lived together for some time. She died in Irvington, New York, but was buried alongside her parents in a family plot in the village cemetery in Grantsburg, Wisconsin.
Fremstad was the model for Thea Kronborg, the heroine of Willa Cather’s novel The Song of the Lark. Her relationship with Cushing was fictionalized in the novel Of Lena Geyer, by Marcia Davenport.
Metropolitan Opera
[Met Performance] CID:32010
New production
Die Walküre {96}
Metropolitan Opera House; 11/25/1903
Debuts: Ernst Kraus, Olive Fremstad, Lillian Heidelbach, Johanna Pöhlmann, Paula Ralph, Josephine Jacoby, Marcia Van Dresser, Felix Mottl, Anton Fuchs, Max Brückner, Obronsky, Impekoven & Co.
Review
[Met Performance] CID:32040
Die Walküre {97}
Metropolitan Opera House; 11/28/1903
Debut: Marion Weed
[Met Concert/Gala] CID:32050
First Grand Sunday Night Concert
Metropolitan Opera House; 11/29/1903
[Met Performance] CID:32080
New production
Tannhäuser {125}
Metropolitan Opera House; 12/4/1903
Debut: Ernesta Delsarta
Review
[Met Performance] CID:32120
Tannhäuser {126}
Metropolitan Opera House; 12/7/1903
[Met Concert/Gala] CID:32170
Third Grand Sunday Night Concert
Metropolitan Opera House; 12/13/1903
[Met Performance] CID:32290
Tannhäuser {127}
Metropolitan Opera House; 12/26/1903
[Met Performance] CID:32380
Tannhäuser {128}
Metropolitan Opera House; 01/2/1904
[Met Concert/Gala] CID:36120
Second Grand Sunday Night Concert
Metropolitan Opera House; 12/3/1905
Review
[Met Performance] CID:36180
Die Walküre {109}
Metropolitan Opera House; 12/9/1905
[Met Performance] CID:36220
Siegfried {73}
Metropolitan Opera House; 12/13/1905
[Met Concert/Gala] CID:36260
Fourth Grand Sunday Night Concert
Metropolitan Opera House; 12/17/1905
[Met Performance] CID:36280
Die Walküre {110}
Philadelphia, Pennsylvania; 12/19/1905
Review
[Met Performance] CID:36340
Das Rheingold {42} Ring Cycle [31]
Metropolitan Opera House; 12/25/1905
[Met Performance] CID:36370
Die Walküre {111} Ring Cycle [31]
Metropolitan Opera House; 12/27/1905
[Met Concert/Gala] CID:36440
Sixth Grand Sunday Night Concert
Metropolitan Opera House; 12/31/1905
[Met Performance] CID:36570
Parsifal {40}
Metropolitan Opera House; 01/11/1906
Debut: Helen Allyn, Miss Auspitz, Mary Kenney, Jessie Minges, Miss Newcombe, Inga Örner
[Met Performance] CID:36650
Parsifal {41}
Metropolitan Opera House; 01/18/1906
[Met Performance] CID:36700
Tannhäuser {137}
Metropolitan Opera House; 01/22/1906
[Met Performance] CID:36730
Parsifal {42}
Metropolitan Opera House; 01/25/1906
[Met Concert/Gala] CID:36850
Eleventh Grand Sunday Night Concert
Metropolitan Opera House; 02/4/1906
[Met Performance] CID:36970
Metropolitan Opera Premiere
Der Zigeunerbaron {1}
Metropolitan Opera House; 02/15/1906
[Met Performance] CID:37000
Tannhäuser {138}
Metropolitan Opera House; 02/17/1906
[Met Performance] CID:37030
Carmen {191}
Philadelphia, Pennsylvania; 02/20/1906
[Met Performance] CID:37660
Carmen {196}
San Francisco, California; 4/17/1906
On April 18 the great San Francisco earthquake of 1906 destroyed much of the city and ended the Met’s tour in disaster
[Met Performance] CID:38030
Tannhäuser {141}
Metropolitan Opera House; 11/30/1906
Debuts: Katherine Fleischer-Edel, Carl Burrian, Frederick Gunther
[Met Performance] CID:38110
Tannhäuser {142}
Metropolitan Opera House; 12/8/1906
[Met Concert/Gala] CID:38270
Fourth Grand Sunday Night Concert
Metropolitan Opera House; 12/23/1906
[Met Performance] CID:38470
New production
L’Africaine {22}
Metropolitan Opera House; 01/11/1907
[Met Performance] CID:38510
Tannhäuser {145}
Metropolitan Opera House; 01/14/1907
[Met Performance] CID:38600
United States Premiere
Special Performance
Salome {1}
Metropolitan Opera House; 01/22/1907
Debuts: Paul Lange, Franz Stiner
Reviews
[Met Performance] CID:38680
Carmen {197}
Philadelphia, Pennsylvania; 01/29/1907
[Met Performance] CID:38720
Carmen {198}
Metropolitan Opera House; 02/2/1907
[Met Performance] CID:38770
Tannhäuser {146}
Metropolitan Opera House; 02/6/1907
[Met Performance] CID:38910
L’Africaine {23}
Metropolitan Opera House; 02/18/1907
[Met Performance] CID:38950
Parsifal {44}
Metropolitan Opera House; 02/22/1907
Debut: Marion Kingsbury, Edna Cook, Sophie Fanoni
[Met Performance] CID:39010
Die Walküre {115}
Philadelphia, Pennsylvania; 02/26/1907
Debut: Paula Wöhning
Review
[Met Performance] CID:39040
Die Walküre {116}
Metropolitan Opera House; 03/1/1907
[Met Concert/Gala] CID:39180
Special Performance
Testimonial Tendered To
MR. EMIL FISCHER
Metropolitan Opera House; 03/15/1907
Review
[Met Concert/Gala] CID:39220
Sixteenth Grand Sunday Night Concert
Metropolitan Opera House; 03/17/1907
[Met Performance] CID:39240
Das Rheingold {44} Ring Cycle [33]
Metropolitan Opera House; 03/19/1907
[Met Performance] CID:39260
Die Walküre {117} Ring Cycle [33]
Metropolitan Opera House; 03/21/1907
[Met Performance] CID:39370
Parsifal {45}
Metropolitan Opera House; 03/29/1907
Debuts: Miss Kranz, Miss Waeffing, Florence Rayner, Miss Sturzenegger, Mr. Traubmann
[Met Performance] CID:39450
Tannhäuser {147}
Boston Theatre, Boston, Massachusetts; 04/5/1907
[Met Performance] CID:40470
New production
Tristan und Isolde {84}
Metropolitan Opera House; 01/1/1908
Debut: Gustav Mahler
Reviews / Chapter: Mahler at the Met
[Met Performance] CID:40560
Tristan und Isolde {85}
Metropolitan Opera House; 01/9/1908
[Met Performance] CID:40660
Tristan und Isolde {86}
Metropolitan Opera House; 01/18/1908
[Met Performance] CID:40730
Tristan und Isolde {87}
Metropolitan Opera House; 01/24/1908
[Met Performance] CID:40780
Tristan und Isolde {88}
Philadelphia, Pennsylvania; 01/28/1908
[Met Performance] CID:40800
Tannhäuser {153}
Metropolitan Opera House; 01/30/1908
[Met Performance] CID:40890
Die Walküre {118}
Metropolitan Opera House; 02/7/1908
Reviews
[Met Performance] CID:40950
Die Walküre {119}
Philadelphia, Pennsylvania; 02/11/1908
[Met Performance] CID:40970
Die Walküre {120}
Metropolitan Opera House; 02/13/1908
[Met Performance] CID:41040
Siegfried {82}
Metropolitan Opera House; 02/19/1908
[Met Concert/Gala] CID:41090
Grand Sunday Night Concert
Metropolitan Opera House; 02/23/1908
[Met Performance] CID:41130
Siegfried {83}
Metropolitan Opera House; 02/27/1908
[Met Performance] CID:41160
Tristan und Isolde {90}
Metropolitan Opera House; 02/29/1908
[Met Performance] CID:41240
Siegfried {84}
Metropolitan Opera House; 03/7/1908
Review
[Met Performance] CID:41490
Tannhäuser {156}
Metropolitan Opera House; 03/28/1908
[Met Performance] CID:41560
Tannhäuser {157}
Metropolitan Opera House; 04/4/1908
[Met Performance] CID:41640
Tristan und Isolde {91}
Boston Theatre, Boston, Massachusetts; 04/11/1908
[Met Performance] CID:41660
Das Rheingold {45} Ring Cycle [34]
Metropolitan Opera House; 04/13/1908
[Met Performance] CID:41710
Siegfried {86} Ring Cycle [34]
Metropolitan Opera House; 04/16/1908
[Met Performance] CID:41790
Die Walküre {124}
Chicago, Illinois; 04/22/1908
[Met Performance] CID:41830
Tristan und Isolde {92}
Chicago, Illinois; 04/25/1908
[Met Performance] CID:41870
Die Walküre {125}
Pittsburgh, Pennsylvania; 04/29/1908
[Met Performance] CID:42030
Die Walküre {126}
Metropolitan Opera House; 11/18/1908
Debuts: Erik Schmedes, Allen Hinckley, Matja von Niessen-Stone, Rosina Van Dyck, Maria Ranzow, Fritz Feinhals
Review
[Met Performance] CID:42130
Parsifal {46}
Metropolitan Opera House; 11/26/1908
Debut: Herbert Witherspoon
Review
[Met Performance] CID:42220
Die Walküre {127}
Academy of Music, New York, Brooklyn; 12/2/1908
[Met Performance] CID:42260
Die Walküre {128}
Metropolitan Opera House; 12/5/1908
[Met Performance] CID:49000
United States Premiere
Armide {1}
Metropolitan Opera House; 11/14/1910
Opening Night {26}
Giulio Gatti-Casazza, General Manager
Debuts: Lucia Fornaroli, Anna Mariani, Maison Muelle
Review
[Met Performance] CID:49020
Tannhäuser {179}
Metropolitan Opera House; 11/16/1910
Debut: William Hinshaw
[Met Performance] CID:49100
Parsifal {59}
Metropolitan Opera House; 11/24/1910
[Met Performance] CID:49180
Armide {2}
Metropolitan Opera House; 11/30/1910
[Met Performance] CID:49220
Tannhäuser {180}
Academy of Music, Brooklyn ,New York; 12/3/1910
[Met Performance] CID:49270
Lohengrin {259}
Metropolitan Opera House; 12/9/1910